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StC Lives I: 51​-​61​-​74

by St Celfer™

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51 02:54
61 05:52
74 04:35


Making music in real time (as opposed to tracking and then arranging).

Using an instrument, homemade, or more accurately, “gambiarra,” in Brasilian Portuguese, to be played and heard live.

Responding in the moment rather than looking backwards.

Substituting “explore” for “make.”

Transitioning from an in-studio process of the "Suites" to a live and improvised situation.

Trying for “the new” is understood but “how” is more important.

With the creation of the Step.4D™ my energies have gone into the interface between man and machine. This instrument creates an instantaneous recording to two tracks that can't be mixed later. It's a monster getting larger by eating itself.

Always live and improvised: Step.4D™ by St Celfer™.

*excerpted from the conversation with Tom Moody (www.tommoody.us/archives/2020/12/04/on-breaking-the-square-a-conversation-between-john-parker-and-tom-moody/)


released May 20, 2021

"Seattle’s St Celfer writes immersive electronic songs that encompass both haunting beauty & wild experimentalism." -- bandcamp


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St Celfer New York, New York

*improvisational compositions on glitch-tronics, treading failure with counterblasts through the vanishing point

*there is a lot of noise today - we just need to hear the music within it

*American & Korean, floats between São Paulo, New York, and Seattle
... more


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